I would like to express my gratitude to Federica for
helping me create this list. I would also like to thank her for doing her
best to help me get a good recording of her side.
0:00: This
guitar part is inspired by something that Marty Friedman has played. But it is
not the original, and the problem is that I don't remember the original. I've
tried many times to search different variations, but to no avail. If it reminds
you something, please let me know!
There's a reason why each and every one of these books is in this list (even the
particular editions). I won't include the reasons to save space, but if you're
interested, you can comment or contact me.
5:58: Since
this discussion, I [Stefanos] tried to educate myself on the field of British
Cultural Studies. I found the book British Cultural Studies,
Third Edition, by Graeme Turner. I haven't read all of it, but I definitely
liked the first couple of chapters.
25:02: Monoskop
has collected a great and extensive reading list on Software
Studies. We also refer readers to this weirdly cool website: aesthetic-programming.net.
Finally, we particulary recommend the book Critical
Code Studies. Here's Federica's commentary on Software Studies vs Critical
Code Studies: Essentially, Software Studies wants to identify itself as a
separate field from Digital Media Studies, because of its object of study (it
broadly studies the political, social and cultural implications of software),
while Critical Code Studies, which emerged after Software Studies and from it,
claims that it is possible and relevant to read source code as a text (in fact,
as a literary text, working on the "hermeneutics", i.e. the interpetation, of
this text) to find these implications literally inscribed in source code. For
example, it is worth reading source code to analyse style, comments, etc. and
this can be taken even further. Mark's first example of this was the implicit
heterosexuality inscribed in the code of a virus that invited users to click on
the image of a female tennis star to see some pornographic images of her.
46:14: It's
interesting to read An SMS
History by Alex S. Taylor and Jane Vincent (Chapter 4 of "Mobile World:
Past, Present and Future"), written in 2005. At that point SMS was already a
success, but they describe some of the early reservations people had. For
example: "[...] the SMS protocol imposed some serious restrictions and raised
glaring flaws in usability [.]" or "With its limitations and the apparent
primitive character of the technology, it was hardly surprising that the mobile
phone operators and manufacturers had no strong business model for SMS. The
emphasis for the launch of GSM was on the delivery of talk and international
roaming; its unique selling points were the ability to use your own mobile phone
anywhere in Europe and improved security and quality of service. The operators’
vision for SMS was limited; its broad-based appeal was initially as a
unidirectional system for sending “mobile terminated” messages to customers,
such as voice mail notifications. Early SMS campaigns to promote the delivery as
well as receipt of messages, rare as they were, almost exclusively targeted at
business users and positioned the service as a second-rate add-on to voice
transmissions [...] the decidedly unsexy SMS was of little interest to an
industry bent on promoting itself as exclusive and futuristic".
55:34: It seems
the term was popularized in the Anglophone world by Lewis Mumford's book Technics and
Civilization. But Mumford doesn't seem to give a definition in this work.
Instead, something closer to a definition appears in his book Art and
Technics: "We ordinarily use the word technology to describe both the field
of the practical arts and the systematic study of their operations and products.
For the sake of clarity, I prefer to use technics alone to describe the field
itself, that part of human activity wherein, by an energetic organization of the
process of work, man controls and directs the forces of nature for his own
purposes." Another related article is Bryan Norton's Our
tools shape our selves, which talks about Stiegler specifically, and also
Oswald Spengler's Man
and Technics (both of which give "definitions" that align with what Federica
said).
57:05: My
[Stefanos] wording here is probably confusing. I'm using “logos” (λόγος) in a
way that is more common in Modern Greek, i.e., the ability of a human to
communicate through language (speaking, writing, etc., although this doesn't
require the ability to physically write or speak; see
Look Up for
Yes). This may have confused non-Greek listeners because in the Western
philosophy tradition, “logos” is usually understood as “reason” (and that's
definitely one of its meanings in Modern Greek still—e.g., “ὀρθὸς λόγος”,
i.e., rationality) without a direct connection to language. In my opinion,
“logos”—the way I meant it—requires “logos” in the way Western
philosophy understands it, but this is a different discussion. Long story short,
I think my question makes more sense if you image someone speaking versus
imagining someone deducing a theorem in her head.
Thankfully Federica understood what I meant, and she also recommended the
following related books:
1:27:01: For
folks interested in more technical content, one of the best papers that
exemplifies what I said is the GoFetch attack (which is explained pretty well
in this video). In
that work, folks had to uncover how the hardware works through
micro-experiments.
1:43:53: I'm
referring to Stiegler's “General Introduction” in Technics and Time #1. Stiegler
never gives a direct reference, but Stiegler probably refers to two works.
First, to The German Ideology, and in particular “Part I, Feuerbach: Opposition
of the Materialist and Idealist Outlooks”, Section “A. Idealism and Materialism,
First Premises of Materialist Method.” The second is Engels' essay The
Part played by Labour in the Transition from Ape to Man, where Engels
writes: “[T]he hand is not only the organ of labour, it is also the product of
labour. Only by labour, by adaptation to ever new operations [...] have given
the human hand the high degree of perfection required to conjure into being the
pictures of a Raphael [.]”
2:01:55:
References to the concept of “conjuncture” and “conjunctural analysis” are
interspersed throughout Stuart Hall's vast production. For a synthetic
explanation, see Jeremy Gilbert's editorial to New
Formations, Volume 2019, Issue 96-97.
2:03:25: Some
famous works from these authors are Bodies
That Matter by Judith Butler, and Meeting the
Universe Halfway by Karen Barad. Interestingly, Judith Butler has written
the Introduction in the 40th Anniversary Edition of the English translation of
Derrida's Of
Grammatology. In her theory of gender, Butler draws a lot on Derrida's
rereading of the theory of speech act, as defined by J.L. Austin in How
to Do Things with Words. Derrida's rereading of Austin is detailed in
Signature
Event Context. For Austin there are some utterance that are performative but
for Derrida all language is performative (Butler also draws on Foucault and
discusses some psychoanalysis, but the idea of performativity is the most
spectacular way to describe both sex and gender, in my view [Federica], and it
can be taken further in so many directions).
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